A painting of two women, a child, and a baby, with the women close together and gazing at the baby, in a textured, earthy background, framed with dark wood.
Faded religious mural depicting a figure with black hair, yellow face, and serene expression, surrounded by a halo with radiating lines, with decorative cloud and dragon motifs in golden and red hues.
Ancient Mesoamerican sculpture of a figure with a bear headdress and an exaggerated face, displayed on a pedestal against a yellow background.

AN ONLINE COURSE


Learning

to Look

Have you ever stood in front of an artwork and thought:

Why is this art?

What am I supposed to notice or say?

Other people seem to “get it”, so why don’t I?

My kid could make that.

Why did someone make this?

People viewing a portrait of Frida Kahlo at an art museum, with the painting featuring a woman in traditional Mexican clothing.

You’re not bad at art.

You were just never taught how to look. That’s what this class is for.

Learning to Look is a self-paced online course that gives you the tools to walk into any museum, gallery, or historic site and feel like you belong there.

For less than the price of a college course, you can learn how to look at art with confidence.

Your Guides

Between us, we’ve taught thousands of college students at universities across the country. Collectively, wehave more than 65 years of teaching experience.

We have published articles and books, won teaching awards, and spent way too much time in museums and on site.

We built this course because we keep meeting smart, curious people who just needed someone to show them how to look at art.

A woman with wavy, shoulder-length brown hair and glasses, smiling at the camera against a plain light-colored background.

Dr. Cortney Chaffin Kim

Cortney earned an MA and PhD in East Asian Languages and Civilizations at the University of Pennsylvania. She specializes in the art and archaeology of Asia.

A woman with long dark hair, red glasses, and red lipstick smiling at the camera, with a bookshelf filled with books in the background.

Dr. Lauren Kilroy-Ewbank

Lauren earned an MA and PhD in the history of art from the University of California, Los Angeles. She specializes in Indigenous Art of the Americas and Early Modern Art of Spain and Latin America.

A woman with long dark hair wearing a blue top, smiling at the camera against a plain background.

Dr. Heather Graham

Heather earned an MA and PhD in the history of art from the University of California, Los Angeles. She specializes in Ancient and Early Modern European art.

COMING SUMMER 2026

〰️

COMING SUMMER 2026 〰️

Art gallery with red walls showcasing large classical paintings in gold frames, visitors walking and viewing artwork, ornate furniture and sculptures, wooden flooring, skylight ceiling.

What’s it like?

  • a painting of a child who looks out at us with large brown eyes

    Introductory

    No prior experience required

  • a bushly haired man looks out at us with large staring eyes

    Self-paced

    Learn on your own time, at your own speed

  • a vessel with a naturalistic face looking out at us

    9 Modules

    2+ hours of videos, text, & images

  • A painting of a woman wearing ornate black and gold patterned gown with pearls, holding a small child dressed in blue. The woman is sitting with a landscape in the background.

    Lifetime Access

    Revisit anytime—it’s yours forever

Painted depiction of white roses with green leaves on a textured, swirling turquoise background.

More About the Course

Discover the art of really looking.

This course transforms the way you see by slowing things down and sharpening your eye for detail. You’ll learn how artists communicate through line, color, light, and form—and why it matters.

This course turns casual viewing into genuine understanding. Whether you’re a teacher, student, traveler, or lifelong learner, you’ll walk away seeing the world with a sharper, more curious gaze.

We teach you the foundational skill behind all art history, museum education, and visual literacy: visual (formal) analysis. Perhaps that sounds academic, but it’s actually very simple!

It’s the practice of:

  • slowing down

  • noticing what’s actually there

  • understanding how visual elements work together to create meaning

This course shows you how to look with confidence, whether you’re in a museum, a classroom, a historic building, an archaeological site, or scrolling through images online.

What you’ll get

  • A new way to see art

    Learn to slow down and notice details that most people overlook—without feeling overwhelmed.

  • Hands-on visual analysis skills

    Identify key visual elements like line, color, space, scale, and emphasis by describing and interpreting what you see.

  • Critical thinking tools

    Build confidence analyzing visual evidence like an art historian by using an approach you can apply to any artwork.

  • Guided close-looking exercises

    Interactive prompts that train your eye and spark curiosity.

  • Connections across time and place

    Discover how artists everywhere use line, color, light, and form to express meaning.

  • A more personal relationship with art

    Move from “I like it” to “I understand why it matters.”

A traditional Asian painting on a beige background featuring a bird perched on a bamboo branch with green and blue leaves.

Practical skills you can use again and again.

No memorization

No jargon-heavy lectures

No tests

Who This Class Is For

  • Teachers

    who want students to engage more deeply with images

  • Museum-goers

    who want to feel more confident looking at art

  • Parents or homeschoolers

    teaching visual thinking skills

  • Lifelong learners

    who love art but want more than surface reactions

  • Travelers

    who want to immerse themselves more fully into the visual world they are visiting

  • Anyone

    who’s ever thought, “I wish I knew what I was supposed to notice”

Course Details

A famous Japanese woodblock print titled 'The Great Wave off Kanagawa' depicting a large cresting wave with Mount Fuji in the background, painted in shades of blue, white, and gray.

Module 1: Getting Started

You’ll learn about the course and your guides, Lauren, Cortney, and Heather, and we will explore some foundational questions: Where do you actually find art? Who makes it? And who pays for it? (The answers might surprise you.)

Portrait of a woman with light skin and brown hair, dressed in an ornate black, gold, and white patterned gown with puffed sleeves, adorned with pearls and jewelry, sitting outdoors with a landscape background. A young boy with light skin and blonde hair, wearing a blue garment with gold details, sits on her lap.

Module 2: Looking at Art

Line, Color, Shape, Texture, Light, and Space—these are the fundamental building blocks that artists use to communicate meaning. We’ll practice visual analysis by looking closely at three different types of objects: an ancient Chinese bronze vessel, an Aztec stone sculpture, and an Northern Renaissance painting.

A spacious art gallery with red walls and a high ceiling displaying numerous framed paintings and sculptures. Several visitors are viewing the artwork and sitting on ornate chairs.

Module 3: Visiting Museums

Most of us encounter art in museums, but no one really teaches us how to be in one. We’ll look at hw a museum’s design, lighting, and layout shape the way you experience art—sometimes in ways you don’t even notice. You’ll also learn how to decode a museum label and pick up some tips for photographing art if that’s your jam.

A landscape painting of a hilly countryside with a body of water in the background. The scene features a blue sky with clouds, green vegetation, and rocky terrain.

Module 4: Subjects and Genres of Art

Art isn’t just “ an image of something pretty.” There’s a rich vocabulary of subject matter and genres—portraiture, still life, history painting, landscape, religious imagery, and more. Knowing the difference completely changes what you notice. This module introduces you to the most common types you’ll encounter, and what artists were trying to say with each one.

Painting of a crowned angel and a woman dressed in blue robes inside a church with stained glass windows.

Module 5: Painting

Paint is paint, right? Well, not exactly. The medium an artist chooses, whether that’s oil, tempera, fresco, watercolor, encaustic, or ink, shapes everything from the texture and color to how long the artwork is meant to last. We’ll walk you through the major painting media, what makes each one distinct, and how to recognize them when you’re standing in front of an artwork.

Ancient stone sculpture of a mythological creature with a human face, animal body, and intricate carvings, displayed in a museum.

Module 6: Sculpture

Sculpture asks something different of us than a flat image does. It exists in three dimensions, inviting us to move around it. It can range from a tiny figurine to a massive public monument. We’ll look at types of sculpture—freestanding, relief, and more—and explore the variety of materials sculptors work with, from marble and bronze to clay and wood.

Ancient bronze sculpture of a stylized rhinoceros with a weathered surface, displayed in a museum case.

Module 7: Metalworking

Bronze, gold, silver—metals like these have been one of humanity’s most prized artistic materials for thousands of years. In this module, we focus on bronze, from how it is made and why it was valued across cultures to what it can tell us about the societies that produced it.

Traditional Japanese print of cherry blossom trees with people walking in the background and a sunset sky.

Module 8: Printmaking

Before photography, before the internet, printmaking was how images traveled the world. We’ll introduce you to Japanese woodblock prints in particular—they are some of the most famous types of prints in the world. Once you understand how they are made, you will look at them in a whole new way.

Module 9: Ceramics

From ancient earthenware to blue-and-white porcelain, this module helps you identify and connect with ceramics to appreciate their beauty.

A decorative eagle with a curved beak and colorful glass panels, mounted on a plain textured wall.

Module 10: Rocks, Gems, and Shells (Lapidary)

Some of the most breathtaking objects in any museum collection aren’t paintings or sculptures. They’re small, intricate works of art made from jade, turquoise, shell, obsidian, and other precious materials. Lapidary arts, or the cutting and shaping of gems and stones, have been practiced across cultures worldwide. In this module, we’ll explore why these objects carried such deep symbolic, spiritual, and political meanings.

Module 11: More materials!

Glassware, featherworks, tapestry, dress, and textiles are covered in this module.

Text saying 'ABOUT' and ARTSQ in large letters.

We create engaging, research-based art and history education designed for real people—kids, students, teachers, parents, and lifelong learners

A classical painting of a woman in a pink dress swinging on a rope through a lush garden with flowers and trees, accompanied by cherub figures and a statue, framed with ornate wood carvings.

We believe art history should be:

  • accessible

  • fun

  • visually rich

  • genuinely useful

Learning to Look is the foundation for all of that.

✺ Frequently asked questions ✺

  • Yes, and especially for you. We designed this course for people who feel like outsiders in museums. No background needed.

  • Nope! This course is designed for anyone, whether you have any previous knowledge of art history or not.

  • Good question! This course gives you a structured framework not just facts, but a repeatable way of looking that you can apply to any artwork, anywhere. We like to think we are curating an experience for you much as we would for any of our in-person classes.

  • Most modules are 10–25 minutes, so the whole course fits into a weekend—or you can spread it over a few weeks at your own pace.

  • Yes! Once you purchase the class, you will have instant access to the materials.

  • You will have lifetime access to the course. Even after you complete it, you can revisit it whenever you’d like!

  • Unfortunately, we can’t offer refunds as this is a digital class that you have instant access to after purchase.

Ready to See Differently?

Get on the Waitlist Now!

Ready to See Differently? Get on the Waitlist Now!

A realistic painting of a young girl with curly blonde hair holding a book, with a large window in the background.